Bull Island - Ireland

It’s been a pretty long time since I last had to oppertunity to shoot anything for myself for obvious reasons. So when a group photoshoot get-together was organised through the Ireland Models Facebook group I thought it might be a good way to shake the dust off my Mamiya RZ67. The event, now named the MegaShoot, was due to take place on Bull Island Sunday the 1st of August.

Now I wouldn’t normally be interested in shooting at these types of events as I usually find them to be a little too crowded for how I prefer to shoot. But the organiser Taz Smith had put a good amount of work into the structure of the day. Photographers and models were able to book 30 minute one-to-one slots with eachother with strict rules on not only those alloted times but also on the ethics of other photographers interfering by shooting over your shoulder. So I browsed the site, made a couple of bookings and tried to space them out throughout the day. Next thing was to decide on what and how I’d like to shoot.

Knowing there’d be lots of people onsite I choose to bring a canvas backdrop with me. This served two purposes, first of which was the look I was going for while hopefully adding a bit of separation and diversity for the subjects as we were all shooting in visually the same type of space. The second purpose it filled was to block out other people shooting or walking in the background, giving the illusion that we were the only people in this space. I had intended to spend more time set up and shooting in the dunes but unfortunately the local authorities had said that we weren’t alloud to be up there. This didn’t seem to apply to anyone else just out for the day walking on the beech. So I can only imagine they were concerned about the number of us in our ‘group’ inflicting damage on the grasses. Which is fair enough and something we had to respect in order to continue shooting.

My very first shot shown below with Aoife most closely resembles what I had envisioned when planning to take part in the shoot. Overall I’m very happy I dragged the C-stand and backdrop down to the location and it’s something I look forward to trying again.

Models:

Aoife McGrath, Joy Das, Kora Dei, Ksenija Brajkovic, Keara Lydon

Shot on a Mamiya RZ67 Pro II using Ilford HP5+

Polaroids shot using a Polaroid SX-70 and Polaroid SX-70 B&W Film (Expired)

Instax shot using a Zinstax back for Mamiya RZ67 Pro II created by Haan Chen

Film developed and scanned by Malvarrosa Film Lab

AoifeMcGrath_MegaShoot-77-.jpg
JoyDas_MegaShoot-61.jpg
KearaLydon_MegaShoot_HiRes-1807.jpg
KearaLydon_MegaShoot_HiRes-1808.jpg
KearaLydon_MegaShoot_HiRes-1823.jpg

Valencia - Spain

Lydia | Tachihara 4x5 | Fomapan 100 | Schneider-Kreuznach Symmar 210

Lydia and I spent a few hours shooting together late one evening in Valencia during Las Fallas, the Festival of Fire. The sun was already setting when we got started and we only had a small north facing window for light. The darkness really added to the mood. Overall I'm super happy with what we created there.

Achill Island - Ireland

One of those rare Irish summer evenings where the light is just beautiful. It was on the cards so I took full advantage of the forcast and headed out west to meet up with Caoimhe for an evening shoot.

I spent the day hanging out with Coaimhe and one of her friends getting a tour of the very beautiful Achill Island. It's a very special place, and as I'm standing looking over Keem Bay I can't help but wonder why I've never visited this part of the country before? I'd highly recommend a visit. I'm already planning a return when the weather starts to turn.

As the sun started to get low it was time to get to our location. All Caoimhe's idea and I think you can agree she really picked a beautiful spot. I was joined by a friend of mine Dan Rubin (@danrubin) who was visiting the country for a few days. Together we shot a few rolls of film, alternating between rolls. We'd only about 30 minutes of the light we wanted and sometimes I wish you could just stop time and shoot for a couple of hours. But we had what we had and I'm thankful for that!

Shot on a Mamiya RZ67 Pro II using Kodak Portra 400, Fuji Pro400H and Ilford HP5+

Polaroids shot using a Polaroid SX-70 and Impossible Project B&W 2.0 (expired)

Colour film developed and scanned by Carmencita Film Lab